Serpil Altin’s ‘Once Upon a Time in the Future: 2121’ is an ominous tale with sparks of surreal comedy that acts as a bold and honest take on both the familial regime under pressure and the horror that arises from fears of the future.  In the year 2121, planet Earth has broken down from years […]

Unlike anything many have ever seen before, convolutedly excellent, with a slow burn-like atmosphere is precisely what makes Presence the cinematic enigma that it is. This film is not simply genre bending, it is a complete malformation of categorisation, which has left a slew of mixed reviews in its wake. However, forgoing the ruse stirred […]

Leigh Whannell is somewhat contemporary horror royalty, belonging to projects such as Saw (2004), Dead Silence (2007), Insidious (2010), Insidious: Chapter 2 (2013), Insidious: Chapter 3 (2015), Upgrade (2018), The Invisible Man (2020) and now Wolf Man (2025). Regardless of opinion, Whannell is a seasoned horror creator, but is his extensive experience enough to make […]

The great David Lynch, filmmaker, musician, artist and actor, recently passed away on the 15th January, 2025, leaving behind an extensive legacy as one of cinema’s finest auteurs.  Over the years, Lynch had become a forger for all things strange, dark and fantastical, with even his surname become synonymous with surrealism within the arts. His […]

From the same mind that conjured The Witch (2015) and The Lighthouse (2019) is the long-awaited tale of Nosferatu by the brilliant Robert Eggers.  Nosferatu, a remake of the F. W. Murnau silent German Expressionist film Nosferatu: A Symphony of Horror (1922), follows Ellen (Lily-Rose Depp), who in her youth pledged her devotion to the […]

Presence (Directed by Steven Soderbergh)  Expected release date: 24th January  This upcoming atmospheric chiller comes from the mind of the great Steven Soderbergh, whose previous award-winning credits include hits such as Sex, Lies and Videotape (1989), Erin Brockovich (2000), and more recently, Unsane (2018). Presence takes place from the perspective of a ‘ghost’, as the […]